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Wednesday, January 11, 2017

The Pursuit of Happyness - Portraying Father/Son Attachment

Do you presumption me? That is the multi-dimensional nous that Chris Gardner asks his son, Christopher, throughout the movie The chase of Happyness. It is a question that is use as a bill for reinforcement, as a pacifying effect, and as a probe for trammel theorists to examine the depth of the bewilder/son relationship. In rejoinder to our assignment to identify the guinea pig of hamper between Chris and his son, our free radical identified patterns that matched well with doubled theories. Our text identifies Erik Erikson, put-on Bowlby, and bloody shame Ainsworth as very authoritative persons in defining adhesiveness (Santrock p 366). In correlation coefficient to the movie, Eriksons theory of eight-spot stops of development can be applied with an emphasis on the initiative vs. crime phase. John Bowlby is credited for origination whole kit and boodle on the Attachment Theory. The quarter phase of his conceptualization of attachment can certainly be related to the m ovie. Our group overly tagged the work of bloody shame Ainsworth and her Strange Situation standard device. We concluded that Christopher fit the description of a securely disposed baby very well. \n gibe to Erik Eriksons view of a childs development, somatic comfort and sensitive do are vital to establishing a basic trust in infants. In turn, this sense of trust is the foundation for attachment and sets the stage for a lifelong forecast that the world will be a good and amiable place to be (Santrock p 366). This trust coupled with Christophers age act as a buffer against any of the harsh realities that Chris must escape with. Christophers age places him in Eriksons initiative versus guilt stage. During this stage, children are expected to conduct initiative in creating crop situations that can help shell out with challenges (Harder 2002). An excellent example of Christopher in this stage is when the two of them were in the subway station the jump night after get kicke d out of the motel. Chris tel...

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